https://www.emmamweiss.com/work/restaurant daily 0.75 2019-04-29 https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546632286463-3GMYCZSPUNXJRPG360EZ/restaurantwebsitemockup.jpg RestAurant https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546442870525-9FILYEBCYGHN3PUVKDPT/restaurant-1.jpg RestAurant https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1551734586168-JO0QRMYF8UNOMPY657Q9/restaurantportfolio-05.png RestAurant I created the identity for a high-end American eatery, RestAurant, that plays off of the periodic symbol for the element gold, “Au.” Because I centered my design on the scientific element, I stayed away from the flashy associations of showy wealth that often come to mind when thinking about gold, such as conspicuous jewels and objects. Instead, I drew from the purer, but still high-quality, properties of the element gold. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1551734475702-AXLURJCZDAIWOI5FWS02/restaurantlogo_portfolio-03.png RestAurant Thus, RestAurant is designed to be simple, classic, elegant, and “elemental” — pun intended. My full logo and branding marks are meant to be associated with the periodic table. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546543714532-2KPD21GG8KMVGF9KE2WG/restaurantportfolio-04.png RestAurant The black background of the branding speaks to elegance, as does the swashes of the italic serif and the clean thin lines of the display sans-serif font choices. A fully-coded website with menu design, as well as a mock Mother’s Day email campaign, are built to retain these branding qualities. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546541912016-XWNEKYIXNSSIGHJ3ZXPE/restaurantwebsitemockup.jpg RestAurant https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1556570692915-0PV06OIP9F82H8F18KP2/image-asset.jpeg RestAurant Above: a walkthrough of the fully-coded website. Below: Mother’s Day email campaign. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546542560238-9GL1SEQUANFGNECZ4WO1/mothersdaygif.gif RestAurant https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546542850994-OCQELFWT0E9JSCS8PWVA/restaurantemailcampaign.png RestAurant https://www.emmamweiss.com/work/typography daily 0.75 2019-04-29 https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1557781926026-PQPXKN6U68B8HH8AIWM3/typejournal2.jpg typography exploration https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1547067730325-D33FQ4PWNPQ94OFFNGU5/typecompsportfolio.jpg typography exploration Visual explorations designed to highlight the disctinctive, flowing swashes and terminals of Lust Script, a typeface developed by Neil Summerour. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546632378796-SFLJWFQQGW2EDBV7V5SI/typejournal-1.jpeg typography exploration I also created an illustrated alphabet inspired by Jessica Hische’s Daily Drop Cap project. All letters approximately 8.5”x11”, drawn by hand in ink on paper. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546632383825-LVQEZUV1S5YODMPDM553/typejournal-2.jpeg typography exploration https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546632383970-KIFCT8ZENTX58REYEWR4/typejournal-3.jpg typography exploration https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546632386849-YED6DWF9NTK2HGH8LAC9/typejournal-4.jpg typography exploration https://www.emmamweiss.com/work/screenprint daily 0.75 2019-02-27 https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546632125510-7BWSUIU3J19FOPMNKJ9O/girlmockup.jpg Screen Prints https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546632100721-0M1EQWPT47QB9OBIMBYB/girlmockup.jpg Screen Prints “13769” ink & bleach on paper. 15”x22”. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1551303195675-BPHGAZ68EIDOKUPM4TIM/screenprintingpair.jpg Screen Prints https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546632115377-64C7XC9J4I8OSZCSQHTI/selfmockup.jpg Screen Prints “untitled” ink on paper. 15”x22”. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1551303194893-WGLHDA7WT68YXFXW9QG6/screenprintingpair2.jpg Screen Prints https://www.emmamweiss.com/work/southern-border daily 0.75 2019-05-13 https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1557258728009-L8J0XL9XQ5239GYEBY1X/animationmockup.jpg border refugee series https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1551733405621-C2YOUC9K1J91NT1ZT3SV/cover.jpg border refugee series In my research, I found that the makeup of the immigrant population at the southern border has gradually changed over the past decade. Increasing numbers of refugees of Central American origin are fleeing their home countries and seeking a life free of intense gang violence, political oppression, and poverty. Fearing for their own and their family’s lives, these Central American refugees make the dangerous journey through Mexico, facing deadly risks of dehydration, heat exposure, starvation, extortion, assault, and rape. As border barriers are constructed, they are increasingly pushed into more dangerous areas as they try to cross, resulting in a skyrocketing percentage of deaths per crossing. This is a strategy that was codified by Border Patrol in 1994 — termed “Prevention Through Deterrence” — and has done nothing to stop the flood of refugees, many of who try to cross in illegal areas due to slowdowns at legal ports of entry that lead to months and even years of waiting to be processed, or even worse, being sent back to the very country from which they fled. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1555973092128-CQPYSSQDFI9C9SQKPPV3/postermockup2_site.jpg border refugee series https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1546635368668-RDQPN2VTCUM1JPNQ9RF6/attheborder_01.jpg border refugee series Artifact 1: infographic poster (24”x36”), outlining how past border legislation has impacted refugees, how a full border wall would impact them, and the dangerous journey they face on the trek through Mexico. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1547157717150-I0OMRX4MVOKRYYT9UUPI/animationmockup.jpg border refugee series Artifact 2: animated timeline, presenting a short history of southern border legislation in the United States juxtaposed with published research and studies that have continued to prove the inefficacy of that legislation. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1556569915057-PKKEW4V88TNIHNECUN3V/image-asset.jpeg border refugee series In spring 2019, I turned this into a gallery installation as part of the Graphic Design Capstone Show at University of Maryland. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1557177507524-2BSU68KK1XY54VWN8XB5/IMG_4599-2.jpg border refugee series As it can be hard to truly understand the weight of text-heavy content as a viewer if it is simply displayed on a wall — reading takes time, and attention spans are short, especially in a crowded gallery with other artworks to see and conversations to have — I wanted to ensure an meaningful and digestible experience for visitors who have little to no prior knowledge on the subject of border legislation. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1557177534571-HPLX30QGZFO7DCIG9G0N/capstone0001.jpg border refugee series Thus I designed my installation to present the juxtaposing, hypocritical history of border legislation in a series of interactive wall panels. As I found the legislation to effectively hide or discount the juxtaposing studies and actual statistics at the border, I chose to display that legislation information on top so that the underlying study appears “redacted” from history. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1557177593940-7OE67E6437RDBKCLBWIM/capstone0004.jpg border refugee series https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1557177568786-VYH1AF5CU2X93WOU7UCH/capstone0002.jpg border refugee series Visitors were able to peel back the plastic mylar that the legislation panels were printed on to uncover the true effects of that legislation beneath. By introducing this intrigue and curiosity through interactivity, I aimed to capture attention and an educational and powerful experience, instead of just a series of panels to simply stand in front of and read. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1547156673976-U872TRBJSNR1UUZL16KT/refugeeportfolio4.jpg border refugee series Artifact 3: Onda, an Instagram account with a mission to create a social ripple effect of change at the southern border. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1551733991988-K1X095Y9823WUHWQ4M19/ondamockup.jpg border refugee series Coinciding with the final project in this series ­— a design response — was a mass exodus of Central American refugees in October 2018, making their way towards the US border as a caravan. The caravan gained momentum and numbers as it was shared with neighbors and posted about on social media. It connected smaller groups of Central Americans with a larger community, sparking a movement — ideological and literal — of thousands of people who sought change. And the same power of social media could be leveraged to help those members of the caravan — and other migrants — currently in waiting in Mexico to request asylum. Translating to “ripple” in Spanish, Onda is an Instagram account with a mission to create a social ripple effect. Short, powerful, informative graphics summarize the most recent news at the border, so that people can digest the scope of a specific problem with a few swipes of their finger. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1547159343034-5NTESHOND5I6HXF4YYFA/iphonemockup.png border refugee series At the end of each brief slideshow of gallery posts or stories is a specific call to action, such as nonprofits to donate to and quick ways to influence legislation. I believe that many people can feel daunted, helpless and paralyzed by the scope and gravity of current events. But not everything needs a Kickstarter or a new nonprofit to create change. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1557779240355-KXZIKGACZ65K6A94S6K3/ondaportfolio_newigposts.jpg border refugee series By using a medium that people already utilize, through strong, concise and memorable graphics that share real stories and digestible facts, Onda’s mission is to show people that small contributions by individuals can turn into a major movement that, in a ripple effect, leads to real, concrete change. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1557779240271-26MVJ5QZVECE5YB95GNN/ondaportfolio_newigposts2.jpg border refugee series Of course, these issues are deeper than mere donations can fix. But while policy change is the end goal, it does not provide immediate relief to those who are struggling at the border. The resources at the end of each Onda graphic set are aimed at showing users distinct ways their actions will help — ways that will provide a platform for policy change. https://www.emmamweiss.com/rembrandt-beer daily 0.75 2019-06-19 https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560794666560-DGDMAZ1PXW851FTQP2DL/rembrandt0115-Edit-2.jpg package design: dutch golden age beer https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560794005700-GRDXX18XV0VBO225TD0F/rembrandt0063-Edit-2.jpg package design: dutch golden age beer Amstel is a brand that is deeply proud of its Dutch heritage, as well as active partners with institutions such as UEFA that pursue Dutch traditions. A natural— as well as new and different — extension of these values is to support an extremely rich history in art, especially Dutch Golden Age painting (an intentional reflection of their “golden” beer). The intended audience for this limited edition series is a couple of groups. One includes existing customers of Amstel, who might be intrigued by a new design; another is the group of people more interested in independent breweries, who would likewise be intrigued by the design and decide to try Amstel; another is the art community, who would recognize the works of art on the label and therefore buy the beer pack and bottles for keepsake purposes. These people are young adults to middle age, who enjoy beer for its community and celebratory spirit. Thus, this limited edition seeks to foster a fusion between two strong communities: those who come together over beer, and those who come together over art. This fusion strengthens both of these communities by promoting an environment of conviviality and encouraging conversation over both beer and art. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560794072406-5NYPKRU9WISCTYXBY0WP/rembrandt0094-Edit-2.jpg package design: dutch golden age beer The design presents the works of art on three sides of the six-pack carrier. Their images take up almost the entirety of each surface, which highlights and celebrates the quality of Rembrandt’s masterful painterly style. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560793886378-BXVBGOSCAA3AKOETN8D2/rembrandt0011-Edit-2.jpg package design: dutch golden age beer Each beer bottle label does this as well, in full wrap-around paper labels that have much more texture than existing plastic sticker labels on Amstel bottles. As customers hold their beer and run their fingers over the label, they may almost feel the paint. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560955813436-65MG9ZR31RXU5KE440UI/rembrandt0096.jpg package design: dutch golden age beer The carriers also have a display quality, with Rembrandt’s famous The Night Watch featured on one horizontal side that encourages people to walk up to it and engage with the artwork. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560794053746-9LU7FU4XDJOVQNUTLLEQ/rembrandt0090-Edit-2.jpg package design: dutch golden age beer The Mill and his 1659 Self Portrait on each narrow side of the carrier — the sides that would be outward-facing in liquor store fridges — also serve this purpose, as well as offer a reprieve from a sea of loud, graphic-heavy six-packs. In this reprieve, customers are intrigued and encouraged to choose this package over others. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560794104161-O7V5JYJ7LN0S8GPWB55L/rembrandt0104.jpg package design: dutch golden age beer The other side of the six-pack features his signature and a small amount of information about his work for curious customers, laid over a texture of the signatures of each of the other artists in the series (to be released) to hint at what is coming next. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560794140062-CXYFACE8V5ZRADGVNKUH/rembrandt0117.jpg package design: dutch golden age beer The bottles each also include a sentence about each artwork on the back of the label to spark curiosity and conversation as customers drink their beer together. The decision to include two of each artwork similarly encourages community, as partners may choose to drink a bottle that features the same painting together. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560794098441-BQGKLXL14B8MXWHO9VR3/rembrandt0101-Edit-2.jpg package design: dutch golden age beer As this limited edition must be regarded as Amstel in the buyer’s eye — not as an entirely new brand. The carriers are the same shape as existing Amstel six-packs to reinforce this, as each beer brand uses their own varieties on the six-pack carrier shape and introducing a new variety for the limited edition would confuse buyers. The designs utilize the existing muted gold and rich burgundy red of the Amstel brand, as well as the Amstel logo at the same size and placement, with just slight variation. Instead of the brand colors’ and logo’s traditional metallic shine, the Dutch Golden Age edition takes this away from the logo as well as introduces a canvas pattern. These choices not only reflect the canvas of the painters exhibited by the edition, but also function to make the designs more approachable. Because this limited edition displays fine art on bottles of familiar, non-specialty beer, it is necessary to stay away from a highbrow, overtly museum-like presentation of the art, as this may alienate some customers. The feature of Rembrandt’s actual signature likewise humanizes the design, offering a way for customers to identify with the artist and artwork. https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1560794121882-ILC77DRUYR05NJOGVP7K/rembrandt0115-Edit-2.jpg package design: dutch golden age beer Understanding a culture’s art is a way to enrich an understanding of the culture itself. The Dutch Golden Age limited edition version of the worldwide Amstel brand celebrates the rich traditional of Dutch art in a similar way that the brand celebrates other aspects of Dutch tradition. It brings Dutch culture to worldwide audiences in a new and tasteful way, while also encouraging an appreciation of art in a relaxed manner. https://www.emmamweiss.com/families daily 0.75 2026-01-16 https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1760616625922-8WX1YR0W93QVJ43OFJY6/paulandsarah-aug20250726.jpg families https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1760616625922-8WX1YR0W93QVJ43OFJY6/paulandsarah-aug20250726.jpg families https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1768575591430-UK7W149O84U1DB7M6DTF/keenanfamily-dec25-0202.jpg families https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1760203741570-GBS6KCZ4CPWB7HFI5UTJ/clarebenfamily-summer2023-0833.jpg families https://images.squarespace-cdn.com/content/v1/5b4f92931aef1dac3cd13369/1759482386703-1MRNXAF9V4A2WP6MPS6A/bethmikefamily2024-0062.jpg families 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